Automotive shoots
Private owners, dealers, detailers and builders. Location or studio, static or rolling — images that do the car justice.
- Owners
- Dealers
- Detailers
- Builds
It started with a camera and a car park. It turned into a way of seeing everything.
This is a portfolio told in chapters. It opens where the obsession began — with cars, light and the lines between them — and follows the lens as it turns to people, places and moments that deserve the same attention. Scroll on, or jump to a chapter.
Stance, surface and light. Automotive is the core of the work: location shoots, studio-clean stills and the details most people walk straight past.
Every image opens full-screen. The full automotive archive will live on its own page.
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Stillness is a choice. So is speed.
A parked car is a sculpture. A moving one is a story. Rolling shots, panning on track and the blur that says everything about pace.
The same eye for light, line and timing — pointed at people, places and moments. This part of the portfolio is growing, and it's open for new work.
Got a project that isn't a car? Good. That's exactly the kind of work this chapter is here for.
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I shoot cars because they're where I learned to see. I shoot everything else because seeing doesn't switch off.
My work is built on a simple rule: find the light, respect the lines, wait for the moment. It's how I approach a supercar on a mountain pass and it's how I approach a portrait, a landscape or a room full of people.
The automotive side is where I'm best known. The rest is where I'm heading — and if you've got a project that needs a bold, clean, considered set of images, I'd like to hear about it.
Four ways to work together. Every shoot is planned around the subject, the location and what the images are for — no two are the same.
Private owners, dealers, detailers and builders. Location or studio, static or rolling — images that do the car justice.
Track days, meets, launches and shows. Fast-moving coverage that captures the atmosphere as well as the action.
Individuals, creatives and small teams. Natural or lit, on location or in the studio — portraits with the same bold, clean finish.
Content for websites, social and campaigns. Products, places and people — shot to a brief and delivered ready to publish.
Tell me what we're shooting, where, and what the images are for. We'll agree a plan and a date.
Light, location and timing, handled. You bring the subject — I'll bring the eye and the kit.
A curated, edited set delivered in the formats you need — print, web or social.
Car, portrait, place or project — send a few lines about what you have in mind and I'll come back to you.